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There are many wonderfully talented photographers in this industry, and while many have work that is immediately recognizable, few stand out as evocatively as Susan Burnstine. This interview with Susan originally ran on Analog Forever Magazine, where I am also Editor in Chief, and was more than happy to share her photographs. With that particular post there was a much more formal intro and description of Susan that was a good fit for the magazine. Here though, well, I do it a whole lot less formal. These are all written pretty much off the cuff and stream of consciousness. It gives me the chance to loosen up and pay homage to those I admire, and those whose work I find myself wishing I could take credit for. This is very much how I felt when I first approached and introduced myself to Susan. It was pure admiration for an artist that was clearly doing things right. Her images are incredible, and I quickly found out how incredible Susan was herself. From that initial meeting to now, I cannot name more than a handful of people who have supported and encouraged me more to continue with my own work. It’s true as well that she is like this with everyone. She works her ass off, and at the end of the day will be there for you with insight and advice that is nothing but honest and straightforward. I appreciate honesty like that, even when it may not be what you want to hear.
It makes sense that Susan is as supportive as she is. She is always quick to tell how she received valuable support early on in her own career. She pays it forward. How freakin’ great is that?! A lesson we all need to experience and practice ourselves, right? Right. So here I am talking about supporting your fellow artist instead of the stunning photographs Susan makes. I tried to start it out that way, but then this happened just now. All for the best though, as you’ll get to hear Susan’s own words and see her beautiful work throughout this post. It was a chance for me to pay her back while paying it forward, if only a little, and remind people that we are all in this together. Whether we simply appreciate the art or make it ourselves - we could all use a helping hand. Thank you, Susan, you are having an immense impact out there in more ways than one. Kumbaya.
Susan Burnstine is an award winning fine art photographer originally from Chicago, now based in Los Angeles. Represented by galleries around the World and widely published across the globe, she also conducts workshops internationally and has written for numerous photography publications, including a monthly column for Black and White Photography Magazine (UK).
Burnstine is one of the few photographers today avidly pursuing alternative processes as she creates an idiosyncratic and deeply personal visual landscape drawn from her dreams and night-terrors. She captures these dream-like visions entirely in-camera, rather than with post-processing digital manipulations. To achieve this, Burnstine has created twenty-three handmade film cameras and lenses. The cameras are primarily made out of plastic, vintage camera parts, and random household objects. The single-element lenses are molded from plastic and rubber. These unique creations are frequently unpredictable and technically challenging. Learning to master their possibilities and overcome their extensive optical limitations has required Burnstine to rely on instinct and intuition—the same tools that are key when attempting to interpret dreams.
Burnstine has had over 25 solo exhibits internationally. Her work is held in numerous museum and private collections, including: The Museum of Photographic Arts, San Diego, Ca, The Museum of Fine Arts, Houston, Texas, The University of Maine Museum of Art, Bangor, Maine, The University of Texas Jerry and Mariyn Comer Collection, Dallas, Texas, The Candela Collection, Richmond, Virginia, Res Med, San Diego, CA, The Capital Group, Los Angeles, Unire Real Estate Group, Brea, CA, The Dalad Group, Independence, Ohio and Elgea Inc, Montreal, Canada.
Burnstine’s first monograph Within Shadows was published by Charta Editions in September 2011, earned PX3’s Gold award for Best Fine Art Photography Book of 2011 and was selected for the Photo Eye best of 2011 book list. Her second monograph, Absence of Being, was published by Damiani Editore in Fall 2016 and has earned much critical praise.
Michael Kirchoff: What has led you down a photographic road in your creative pursuits? Was photography something you chose to do early on, or was it something that came later in life?
Susan Burstine: To explain this fully, I have to back up and start with my motivation for making these images as that directly informs the technical approach to my work. I’ll start by explaining that my work is born from a merging of conscious and unconscious manifestations. My process actually began when I was four years old. After a severe trauma I began suffering from night terrors that would stay with me for days. Often, I would walk around unsure if I was dreaming or awake as the lines between my conscious and unconscious world remained blurred. My mother was an artist, musician and a very smart woman for coming up with a means to assist me in coping with this trauma. She taught me to recreate my nightmares and dreams through art. We’d sketch, paint, hodgepodge, sculpt, etc. to work out the recreation of my dream and it helped me process the damaging effects.
When I was eight years old my mom encouraged me to begin shooting with some of her vintage cameras. My mother was a talented artist; musician and I suspect she was also a frustrated photographer. She documented most of my early childhood with 126 instamatics, a vintage Polaroid that worked intermittently, and an optically unappealing Pentax 110 that was always buried at the bottom of her purse. She never thought or cared to protect the optics for her cameras, so the lenses were typically dirty or scratched, which resulted in grainy, blurry, imperfect photographs. Perhaps that’s how a developed a respect for bad optics.
After we got back the photos from that first roll of film, she looked through the prints, turned to me and announced, “You’re going to be a photographer.” And from that day on, my fate was sealed. I became obsessed with making pictures, so when I was eleven, my dad built me a darkroom in the basement next to his beloved tool closet. I spent most of my high school years inhaling photo chemicals in that darkroom.
MK: You spent a period of time in the commercial photography world, but later decided to pursue things in a more fine art arena. What changed for you, and why?
SB: It became about taking pictures, not making pictures so I had to walk away. I left photography behind me for many years, worked in the entertainment business for many years, and then found myself back in photography after my mother was tragically killed. I couldn’t cope being around the falseness of the entertainment world, so I slowly reinvented myself and through a series of missteps and random chances ended up as a fine art photographer without even knowing what it entailed or meant.
What happened was after my mother died, my night terrors (which had left for many years) came flooding back and I needed a way to cope. Photography reemerged in my life and I decided to use it as a vehicle to interpret and cope with my night terrors, much like my mother taught me to do years before. I attempted to use every conventional camera I could find, but nothing emulated my unconscious world. After stumbling onto toy cameras, I was intrigued, but they have a regimented style that didn’t quite communicate what I was trying to achieve. I communicated my frustrations to my father who subsequently inspired me to make my own cameras. My father was successful in many careers in his life, including an engineer and inventor, so he taught us early on that if it didn’t exist, just create it. So I did.
So I spent the next year tearing apart various toy cameras and rebuilding them to teach myself how to create a camera. Then I created my first prototype homemade lens, followed by my first homemade camera and lens. To date, I have made 24 homemade cameras and lenses.
MK: Do you feel like analog methods of creating your work are the only way to go? Was it an easy decision to take this route, and do you think it will always be how your photographs are made?
SB: Yes, absolutely. Making an analog camera is one thing. But making a digital is quite another. I have no interest in computer sciences so creating an analog camera is the only option for me. Most importantly, I love film. I love everything about it. It’s a tactile entity that you can hold rather than conceptualize in ones and zeroes. That said, I love my dslr, but I just can’t use it to create my personal art at this time.
MK: You’ve taken things to an extreme level in not just keeping things analog with the materials you use to create your work, by building your own low-tech cameras in order to convey your photographic vision. What led to this decision with so many wonderful image-making devices out there? Oh, and let’s not forget the names you give them!
SB: Ah, read my diatribe above. But yes, I name my cameras after famous musicians. Each camera has a specific trait such as the sound of the shutter, the sound the take up spool makes or just it’s overall physical appearance and those traits remind me of an artist that I name the camera after. For example, my camera named John Lee Hooker has a sad shutter that makes a sound like “muah, muah, muah” and that reminded me of John Lee, hence the name. My first prototype is still one of my favorites and his name is Johnny Cash because that camera is an imposing looking camera that has more hits than misses much like the infamous Man In Black. Other favorite cameras are, Koko Taylor, Muddy Waters, Ray Charles, Howling Wolf, Louis Armstrong, Miles (Davis), Jimmy Page, Aretha (Franklin), Peter Gabriel, Trent Reznor, and Jack White… And some of my favorites who have gone to camera heaven are PJ Harvey, James Brown, Buddy Guy and Stevie Ray Vaughn.
MK: Did you also go through an extensive testing process in regards to the film you use in your handmade cameras? Is there a favorite that you prefer?
SB: Yes, I tested countless films and developers until I landed on a few favorites. For black and white, I almost always use Ilford FP4 developed in Ilford Perceptol, 3 to 1. For my color work it was difficult, but I didn’t have nearly as many choices since we have so few left on the market. I tested a few, but like Portra 160 the best unless I’m lucky enough to find some expired Fuji NPS or NPC 160 both of which work great with my homemade cameras, but sadly it’s no longer.
MK: Even with a great deal of talent and hard work, it often takes personal relationships, reaching out to others, and making opportunities for oneself to make a career. I know you know what I’m talking about, and I’d love you to tell the story of how you received gallery representation for the first time, because I believe it strikes at the heart of knowing when to go for it as an artist.
SB: Well, to be honest I stumbled into being a fine art photographer. I had no clue what it meant to be one or anything related to the profession. I was just creating these images for myself as a means to cope with and understand my night terrors by reinterpreting them in images.
After I began to see a consistency in my style and approach, I started a blog to post my images, which helped me build a small online following/community. And during that period, I happened upon the work of an incredible photographer named Dave Anderson. He had just released his book Rough Beauty, which won tons of awards and to be frank, his work blew me away. The images cut right through me. They were stunning, poignant and even heart breaking at times.
I can’t exactly recall how Dave and I began emailing back and forth, but I think it started when a mutual fan suggested I get in touch with him, so I wrote him a fan letter. And sometime around then, someone told me about Photo LA and I decided to attend to see what artists the galleries were exhibiting. I should clarify that at this time, I didn’t create the work to become a fine art photographer. Matter of fact, I had no idea what that term meant. I just attended Photo LA to see some work that might inspire me.
As I was walking through Photo LA 2007, I saw Dave Anderson walking by with Alec Soth, who was and still is a mega star. I was so excited to see Dave that I literally shouted out, “OH MY GOSH YOU’RE MY FAVORITE PHOTOGRAPHER” and they both turned to me. Me being me, I just blurted out “DAVE ANDERSON” in response to that set up and realized I had just unintentionally put my foot in my mouth as I didn’t mean to disrespect Alec, I was just so excited to see Dave since his work thrilled me. I turned to Dave and told him who I was and he was so kind to me. He asked if I happened to have any prints with me, since he had only seen jpegs on my website. Sometime told me to put prints in the trunk of my car that day. Called it divine intervention or just intuition, but it was a good thing I did. I gave Dave his own personal trunk show of sorts from the trunk of my car in the parking lot at Photo LA. Dave liked what he saw, so he snuck my portfolio into the fair, introduced me to my first gallery representative and the rest is history. I owe everything to Dave, who has become a very dear friend over the years.
MK: Knowing the traumatic reasons (and if you care to touch upon this) behind so many beautiful images you create, I have to wonder how these negative aspects are turned so positive and rewarding. Do you ever think about the psychology behind why this happens?
SB: Constantly. Creating my images is a form of very necessary therapy. My mom always taught me to reinterpret the terror from my dreams and the very real memories that sparked them into a beautiful or positive experience. Which is why the motivation of my work comes from a terrifying place, but the final images express great beauty within the haunted resonance.
MK: Was there a specific point in time where you felt that you had found your voice in photography and became satisfied with the direction of your work? Do you ever truly find yourself in a good place with your images, or are you always searching for more?
SB: Cripes, no. My motivation for creating the work is based in finding a way to cope and survive… to move through life and exist despite the ghosts that drive it. It’s challenging to find satisfaction in any aspect of that type of creative process. That said, I have learned how to step away from the process of creation and just look at the final image from a core, emotional place. By doing that, I have been able to become proud of what I created. For example, one of my favorite images I’ve ever created is entitled Hubbard & Wells, 9:18am. The image was shot on my fiftieth birthday and the location has a long history for me from my childhood growing up in Chicago. There’s a very dark, complicated history to shooting that image and the pain was immense, but in time, I was able to look at the image for the image rather than the motivation or experience of shooting it. And that allowed me to fall in love with it for what it was… one of my very best black and white images to date.
MK: You’re known primarily as a black and white shooter, but you’ve recently released new work that is in color. The Susan Burnstine signature is still very much apparent in every photograph, and I wonder how or why this progression of your work has occurred?
SB: Well, now that’s another long story. I have always dreamt in black and white. Always. But in 2016 a series of events occurred and I started seeing spots of color in my dreams for the first time. But why? I became extremely distressed but this change because for me, black and white is how I truly see. Much like Dorothy in The Wizard of Oz, it’s my home and it’s reality to me. Whereas color has never been real to me and it’s not how I naturally see or visualize.
What makes this even more baffling is that dream researchers have found that people who were born before the age of television or have never had access to it, dream in color. People who were born during the age of black and white TV, dream in black and white. And people who were born in or after 1966 when broadcast TV switched to color, dream in color. I’m an anomaly.
I was born in 1966 when the NBC peacock brought “living color” into everyone’s living rooms. I witnessed monochrome programs magically transform into reds, greens, yellows and blues. I was awestruck by the implausible appearance of these vivid hues, which became imbedded in my memory as the most perplexing and fantastic canvas of my childhood. What’s more, my family owned the first television business on the North Shore of Chicago and a Zenith Chromacolor TV blazed in every room of our home. Yet still, I viewed the world in black and white until the unsettling events of 2016 made it too hard to look at life in such a real sense. I had to escape, much like Dorothy escaped to Oz. And the color came flooding into my dreams. How long they will be there, no one knows. And because my creative process is to shoot what I experience in my dreams from the night before, my images have transformed into color.
Where Shadows Cease -
MK: Your photographs have been the source of inspiration for so many, but what is it that inspires you? Do you have other creative outlets?
SB: I’m also a writer, so some of my inspiration comes from the written word. Film/Movies have been a big part of my life and career, so I find a lot of inspiration there. Music is a great source of inspiration… But my great loves or what inspire me the most -- My dog, animals and animal rescue, the natural world, hiking…
MK: Do you study what others are doing, and do you find their influence in your own image making?
SB: I have my eye on what others are doing because I’m also a columnist/writer from Black & White Photography Magazine (UK) and I’m always looking for inspired work to either write about or include in a show I’m asked to curate. I’m also looking because I’m a teacher and I want to find new work to inspire my students all the time.
Photography hasn’t had the greatest influence on how I see, but the great painters, specifically the impressionists along with Andrew Wyeth, Vermeer and Japanese etching, has offered a huge amount of creative inspiration. And great filmmakers and screenwriters are also a huge influence on me – Michael Gondry and Charlie Kaufman’s Eternal Sunshine Of The Spotless Mind is a masterpiece that continues to inspire.
MK: After a great deal of success in the gallery world, you increased your workload to begin teaching workshops. What led you down this road and why?
SB: It was a natural progression since I love to help others dig deep and find the answers on how to express what is most meaningful to them. My workshops are unique in that I use a lot of techniques that helped me become an artist, but they aren’t typically taught in photography. And the process I teach my students is extremely powerful and works amazing for those who are willing to look deep and have courage to create what is driving them to be an artist. I truly love teaching and am honored to have the chance to work with every student of who takes my class.
MK: In addition to building many gorgeous bodies of work, teaching workshops, and writing, you also somehow found the time to release two monographs of your work. What was this process like, and do you feel that it informed or changed any aspect of how you photograph now?
SB: Thank you, Michael. Well, books are a whole different can of worms. Creating a monograph is an extremely stressful experience from selecting a publisher, to deciding on a designer and design approach, raising funds, marketing, PR… you have to be your own cheerleader and small business owner. And it takes over your life for 8 months to a year. My two books were very different experiences, but I can say that the second monograph, Absence Of Being, was a far more rewarding, but far more difficult and all encompassing experience. I’m very proud of that book, but I won’t go into too many details beyond that. I don’t think either book changed any aspect on how I photograph beyond taking a lot of time from creating the work and instead worrying about every aspect of creating the book.
MK: I always like to ask those with a lifetime of experience in photography if they have any thoughts or advice for those willing to take the plunge into photography as a career. Any words of wisdom?
SB: Some of my favorite words of wisdom are what I always tell my students -- Shoot with your heart, not your head and learn to make pictures, not take pictures.
MK: Lastly, after the introduction of your latest color work, is this something that we will continue to see more of? Is there anything else that we should keep our eyes open for?
SB: Your guess is as good as mine…more color? My dreams dictate what you see in my images so it’s hard to estimate what my subconscious is up to from one minute to the next. Best I can surmise would be that the answer to your question lies deep within my dreams.
Thank you, Michael.
You can find more of Susan's work at her website here.
*This interview originally posted in its entirety at Analog Forever Magazine, August 27, 2018, here.

domain: artistic


WASHINGTON (REUTERS) - The US State Department has approved the potential sale of 100 Boeing-made Harpoon Coastal Defence Systems to Taiwan in a deal that has a potential value of up to US$2.37 billion (S$3.2 billion), the Pentagon said on Monday (Oct 26).
The move comes days after the State Department approved the potential sale of three other weapons systems to Taiwan, including sensors, missiles and artillery that could have a total value of US$1.8 billion, which prompted a sanctions threat from China.
On Monday in Beijing, a Chinese foreign ministry spokesman told reporters China will impose sanctions on Lockheed Martin , Boeing Defence, Raytheon and other US companies it says are involved in Washington's arms sales to Taiwan.
US State Department spokesman Morgan Ortagus said in a statement: "We deplore Beijing's efforts to retaliate against US and foreign companies for their sales that support Taiwan's legitimate self-defence requirements."
Monday's formal notifications to Congress by the State Department covered the proposed sale of up to 100 Harpoon Coastal Defence Systems (HCDS), which includes 400 RGM-84L-4 Harpoon Block II Surface Launched Missiles to serve as coastal defence cruise missiles.
Last week, the State Department sent notifications to Capitol Hill for the first tranche of arms sales which included truck-based rocket launchers made by Lockheed, Standoff Land Attack Missile Expanded Response (SLAM-ER) missiles and related equipment made by Boeing Co, and external sensor pods for F-16 jets.
Reuters was first to report in September that sales of major weapons systems to Taiwan were making their way through the US export process.
The formal notification gives Congress 30 days to object to any sales, but this is unlikely given broad bipartisan support for the defence of Taiwan.
The US moves come as the Trump administration ramps up pressure on China in the runup to the Nov 3 presidential election and concerns rise about Beijing's intentions towardc Taiwan.
Beijing sees Taiwan as a renegade province that it has vowed to reunite with the mainland, by force if necessary.


Good grants management has many elements, including: ensuring that charges are allowable, allocable, reasonable, and consistent; spending funds in accordance with the budget; paying researchers and staff correctly and on time; certifying effort of faculty and researchers on federally-funded projects; adhering to University procurement and travel policies; keeping track of equipment bought with grant funds; monitoring expenditures by subcontractors; tracking cost sharing, if any; filing interim and final progress reports; and closing out awards in a timely fashion.
Monthly Account Monitoring
Access to accurate and timely financial information is essential for successful grants management. It is wise to review charges on sponsored accounts at least monthly in order to identify and correct errors as quickly as possible.
Federal funding agencies require that institutions working on subawards under Harvard prime awards follow all of the rules and regulations that would apply if the award had been issued to them directly.
The PI is responsible for the submission of all technical reports required under the terms of an award in the form required by the sponsor. Failure on the part of the PI to deliver any required technical reports or deliverables to the sponsor in a timely manner may effect the collection of funds for the project and future funding from that sponsor to the University.
The Office for Sponsored Programs (OSP), as the central financial administration office for all of Harvard’s sponsored awards, reviews, approves, and signs all invoices and financial reports on behalf of the President and Fellows of Harvard College.
Interest Income on Non-federal Grant Balances
The University pays simple interest per annum on a monthly basis on balances in non-federal grants and exchange accounts (Fund numbers in the range 200000 - 299999).
Principal Investigators are responsible for managing expenditures on their grants and for working with administrators to project sponsored accounts and ensure that over-expenditures do not occur. If interest charges on deficits are significant, they are passed on from Harvard’s central bank to FAS departments and centers, which may in turn pass them on to non-sponsored fund(s) belonging to the PI.


The State Government’s new construction code will provide more clarity for Victoria’s building and construction industry while helping address serious issues like secondary boycotts, Master Builders said today.
HomeBuilder extended to 31 March, 2021 by Federal Government..
Today, the Federal Government announced an extension to the HomeBuilder program.
Budget update - Women in construction and government..
Over the next few weeks, we’ll feature some deeper analysis on Victorian State Budget items and what they mean for our industry.


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domain: hobby


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A two and a half years later, Pakistan and India have finally gathered on a single forum for negotiations over the Indus Water treaty.
As per the details, delegations from both countries are discussing ways to resolve disputes regarding hydroelectric projects, Pakal Dul, and Lower Kalnai dams.
Pakistan’s Indus Commissioner Syed Mehr Ali Shah said that they will not deviate from the stance regarding the controversial hydroelectric projects of India.
Indian authorities have said that they are allowed by the Indus Water Treaty brokered by the World Bank to construct the plants.
Earlier, Indian Prime Minister Narendra Modi extended greetings to the People of Pakistan on the occasion of National Day.
According to the statement issued, Modi said that as a neighbouring country India desires cordial relations with the people of Pakistan.

domain: relationship


SSD or Solid-State Drive uses the latest technology to store data on a computer. It is slowly and steadily replacing the traditional mechanical hard disks, not just because of higher storage space, but due to a faster speed when it comes to reading and accessing data. It is reliable in extreme temperatures and shock proof. The SSDs use flash-based memory, that ensures fast throughputs and low read access time. This speed is measured in nanoseconds, where the SSDs can access the files stored in different grid, using smart segregation of information. The SSD device can reduce the bootup time of any device by upto half, compared to traditional devices. It also improves the performance of Windows. Ideal for gaming and heavy duty software like video editing, SSD decreases the bootup time and enables the user to go from game menu to game itself within nanoseconds. Mentioned below are the best-known names when it comes to SSDs that can reduce bootup time and are power savers as well.
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What do Desmond Tutu, Aung San Suu Kyi, the Dalai Lama and 10 other Nobel Peace Prize winners have in common?
One answer is Earl Mentor, Ocean View-based PeaceJam South Africa co-ordinator.
PeaceJam is a worldwide American-based NPO registered by the United Nations. It has created programmes in conjunction with the Nobel laureates to develop good people to do good things in our multi-cultural world.
“Unleash your potential for good,” is one of their rallying cries, with Nobel Peace Prize winners mentoring youth to change the world, helping to develop programmes used wherever PeaceJam operates.
There are programmes such as “Juvenile Justice”, which is “rethinking life choices and personal power, channelling the struggle of Nobels to support those in the juvenile justice system to learn civic responsibility, peace, reconciliation and leadership while challenging them to rewrite their life stories and learn the power of peace”.
Or mentoring young people to become global citizens. Or “Adventures in literacy and leadership”, which encourages literacy by exploring the lands and cultures of the Nobel Laureates with step-by-step lessons for engaging young students in service. Another important programme is the prevention of bullying, preparing young people to live with compassion in a multi-cultural world.
The bonus is that these programmes and mentoring possibilities are all set up, ready to be used, with support from PeaceJam and their benign laureates.
Desmond Tutu was to have attended the local PeaceJam conference in October but couldn’t because of health problems. He was ably replaced by his daughter Mpho Tutu. Next up for the locals is laureate Betty Williams, Founder of the Northern Ireland Peace Movement (later renamed Community of Peace People).
“I was approached by the PeaceJam executive who had observed my work at the Desmond Tutu HIV Foundation Youth Centre,” said Mr Mentor, a musician also known for his work at Fruit(* )ation and his use of music as a catalyst for positive change and to release trauma.
“Knowing me, I didn’t hesitate,” he said with a broad grin.
So armed with the wonderful PeaceJam curricula, he is building partnerships and training up facilitators to spread PeaceJam from the far south to beyond, moving northwards as it grows as he hopes it will.
Mr Mentor is enthusiastic about the programmes that focus on overcoming stereotypes and breaking barriers; those exploring peace and violence in society; problem solving; identity and differences; as well as empathy and compassion.
“The aim for us is to engage more of our at risk youth positively, as this is a great programme that helps develop positive leaders – especially in marginalised communities,” he said.
He has started linking up with youth forums to discuss the programmes, event planning and how to tackle local issues. He is hoping to get the anti-bullying programme into local schools.
Last month they had their first international event when students from Loy Norrix High School from Michigan, USA, joined them in a beach clean-up.
They believe in linking up and building on what has gone before, especially when it comes to matters such as the gangs in Masiphumelele and Ocean View. With Save Our Beloved Slangkop (SOB) they are hoping to build relationships between parents and children and doing conflict resolution.
“PeaceJam is about bringing organisations together in order to hold hands against social ills and unite communities,” Mr Mentor said.
“It’s an exciting process. It’s changed my life personally, given me a different outlook.”
Mr Mentor is hoping that local businesses, organisations and youth groups will join hands to take PeaceJam forward.
If you are interested in taking part or contributing in any way, email email@example.com or call Mr Mentor on 072 857 3392.

domain: sociology


text:
(MENAFN- Nxtgen Reports) In this report, our team research the global Gelcoat market by type, application, region and manufacturer 2014-2020 and forcast 2021-2026. For the region, type and application, the sales, revenue and their market share, growth rate are key research objects; we can research the manufacturers' sales, price, revenue, cost and gross profit and their changes. What's more, we will display the main consumers, raw material manufacturers, distributors, etc.
Geographically, this report split global into several key Regions, with sales (K Units), revenue (M USD), market share and growth rate of Gelcoat for these regions, from 2014 to 2026 (forecast), covering
Global Gelcoat market competition by top manufacturers/players, with Gelcoat sales volume, Price (USD/Unit), revenue (M USD) and market share for each manufacturer/player; the top players including
BüFA Composite Systems
Nuplex Industries Ltd.
Tianjin Yabang Chemical
Changzhou Heyu Chemical
On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into
Vinyl Ester Gelcoat
On the basis on the end users/applications, this report focuses on the status and outlook for major applications/end users, sales volume, market share and growth rate of Gelcoat for each application, including
If you have any special requirements, please let us know and we will offer you the report as you want.
MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.

domain: topicality


text:
Philip S. McDonald
Rome, N.Y. Police Officer Philip S. McDonald was killed in the line of duty on December 15, 1920. Officer McDonald and other Rome Police Officers attempted to apprehend a burglary suspect and a vehicle pursuit ensued. The pursuit entered the Village of Herkimer where Officer McDonald's vehicle was able to pass the suspects truck. Officer McDonald exited his vehicle and drew his service revolver as the suspect's truck approached. The suspect jumped from his moving truck and the driverless truck then struck and killed Officer McDonald. The suspect was apprehended, convicted and sent to prison.
301 N. James Street
Rome, NY 13440
Phone: (315) 339-7780
Rome Police Reform and Reinvention Collaborative
Mohawk Valley Crime Stoppers and the Rome Police Department are asking for people to share information on the whereabouts of this week's Wanted Person of the Week.
Police are look for 24-year-old Lauren L. Langston on two Rome City bench warrants, according to Captain Kevin James of Rome PD.

domain: news


text:
Miley Cyrus and Ariana Grande just took the stage at the One Love Benefit concert for Manchester, England and I'm a little teary-eyed. The longtime friends dueted on the Crowded House classic, Don't Dream It's Over. It's, well, dreamy. And moving. And lovely.
I've already watched it five times. Hold my hand and join me, won't you?
Miley also posted this super sweet photo with Ariana to Twitter:

domain: celebrity


text:
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Featured adverts get top spots in their category search listings and are automaticaly reposted daily over the slot period. They convert to Free Adverts on the expiry of the slot period. Homepage Advertising is in three categories: the Banner Advert which appears at the top of all our web pages; the Side Advert which appears left or right sides of our homepage and most of our web pages; and the Big Advert which appears in the center of our homepage and most of our web pages. Prices for these adverts depend on the period of the advert and the type of advert. Prices are payable in advance and are non-refundable once the adverts are inserted and displayed on our website. Though premium adverts will be displayed after completeion of payment, they may be displayed as Free Adverts where payment is delayed for some reasons. They will be converted to the required premium class when payment is finally completed.
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domain: economics


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XR Lens Coatings Vortex XR proprietary anti-reflection lens coatings increase light transmission with multiple coatings on all air-to-glass surfaces
30 mm Tube Provides greater strength and wider adjustment lattitude as compared to a 1-inch tube
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Tall Uncapped Turrets Make range calculation and shooting adjustments fast and accurate with subtension marks that match the reticle
BDC Elevation Turret Allows very rapid elevation correction adjustments
First Focal Plane Reticle Scale of reticle remains in proportion to the zoomed image. Constant subtensions allow accurate holdover and ranging at all magnifications - no shift in point of impact during zoom
Friction Reduction System Provides superior durability, repeatability and accuracy for the life of the product. Prevents galling or deformation of the erector screw contact point because the heat-treated, hardened-steel pad floats on the end of the turret screw and interfaces with a hardened steel ring on the erector tube for steel-on-steel contact. Patent pending
Turret Screws Provides low-friction, wear-resistant performance: precision-machined from a silicon-brass alloy and treated with an advanced dry-film lubricant. Turret screw threads are ultra-precision machined to sub-2 micron tolerances (less than 78-millionths of an inch). Ultra-smooth operation and adjustments
Erector Tube System Precision-machined from premium brass alloy with anti-galling properties for great strength and durability. The erector spring of chromium vanadium withstands compression, has high fatigue resistance, and is tumble-polished to a mirror finish for micro-precise elevation and windage adjustments
Single Spring Construction Fully constrains (without over-constraining) the optical system for predictable, improved accuracy throughout the range of elevation adjustment
Glass-etched Reticle Protected between two layers of glass (not made from wire) for optimum durability and reliability
Illuminated Reticle Electronic illumination aids in low light visibility of reticle. Battery included
Illumination Control Can be turned on or off with a single click between each intensity level - allowing access to a preferred illumination setting without having to progress through each intensity level
MagView Bar Combines a fiber optics magnification indicator with raised rear-facing magnification references for clear viewing in low light conditions. Patent pending
Radius Bar Fiber optic turret rotation indicator provides illuminated and tactile point of reference for turret rotations. Patent pending
Fast Focus Eyepiece Allows quick and easy reticle focusing
Flip Cap Covers Protect ocular and objective lenses
Vortex Razor HD 1-4x24 Riflescopes
Thread-in killFLASH ARD
Flip cap ocular lens cover
Flip cap objective lens cover
Vortex Razor HD 1-4x24 Riflescopes Tactical Rifle Scope Similar Products
Helpful Positive Review
July 28, 2011
I love it! Its in MOA's making adjustments easy. The glass is amazingly clear and the turrets are very tight so you know they won't move when dumping in a dumptube in 3gun.
Pros: Clean glass, MOA adjustment,
Cons: strange bronze color? If I had to p...
Vortex breaks new ground with the introduction of their Razor HD tactical rifle scope. Built literally from the ground up to meet the demands of law enforcement, 3-Gun competition, and the discriminating tactical enthusiast. The precision-etched firs...
1/11 found this helpful
Most Recent Review
May 28, 2012
Great 3gun scope. Zero at 200yds and dead on from 20 yds to 600 yds.
Pros: Great Scope, very clear optics, easy to use


text:
I wake up in a haze. Where am I? I can hear cars outside and I smell fresh coffee. I open my eyes to a bright light. Once they adjust I can see stacks of plates and napkins and salt and pepper shakers. I sit up and look to find that I am in the supply closet at work. A hole in the wall diner off Interstate Forty-Five. The door creaks open.
"You better get back to work. The boss will be here any minute," says an elderly woman with white hair and a blue and green apron around her waist.
"Yeah, I'm getting there," I reply. I get to my feet and adjust my shirt. I open the door to see an empty diner yet again. We rarely had customers these days save for our morning regulars from the lodge. I check the coffee pots and the dessert fridge to make sure everything is in order. Glancing at the clock, I note the time to be 3:46 in the morning. Only an hour left of my shift, but I don't remember coming in. Last I knew it was my weekend off. I walk to the newspaper stand. Yesterday's date reads Monday, October Eleventh. How did I miss three days? It was Saturday when I - wait, what was I doing? The last thing I remember is waking up Saturday morning in my apartment and now it's almost four in the morning on Tuesday.
I grab a cup of coffee and throw my apron on the counter. Walking outside the crisp air hits me like a train. When did it get cold? I brush it off and don't think of it again.
When I get to my car I notice my duffle bag in the back seat. I don't remember packing it. I wasn't going anywhere. I search the bag to find two changes of clothes and my hiking boots. My camping gear is tossed around it as well. What happened the last three days? I search for my messenger bag. Nowhere. Lighting up a cigarette, I walk back to the diner.
Tossing back my coffee, which had almost gone cold already, I go back into the diner. I sit at the counter and try to recall anything. I was in my own thoughts for almost half an hour before I gave up. Where is the boss? He should be here by now. I walk into the kitchen. No ones here. Where did that lady go? I don't even know who she is, come to think of it. I search the diner and when I return to the dining floor I find a man sitting at the counter.
"I apologize, sir. I didn't hear you come in. What can I get you this morning?"
"Coffee, black.," he replies without looking up from his notepad.
I notice his coat is about two sizes too big for him. His hair is black and long and his eyes sunken into their sockets.
"Just passing through," I ask as I place his coffee in front of him.
"You could say that." He smiles, but his eyes seem to look past me.
"Let me know if you need anything more." I walk to the window and, while looking out, I notice that I can't see the interstate. It's always busy. There is no fog to cloud my view so where is everyone?
I couldn't help but feel lost. I am missing three whole days and I can't remember a second of them. Almost as soon as I finish my thought, the lights go out. Darkness fills the diner and parking lot.
"You alright, sir? The emergency lights should kick on soon."
"Yes, I'm fine." The tone in his voice sounds as if he is smiling.
I feel my way back to the counter. Not even the street lights are on to help. I feel a draft pass by me as if someone had run into the kitchen. I turn, but I still cannot see anything. The emergency lights finally kick on and I look to find the man is gone; nowhere in sight. The lights don't help much. They are dim and yellowed from years of cigarettes. I rummage through the junk drawer in search of a flashlight. I feel something rush past again. I jerk upright. Another one passes and then two more. This is just too much. I have to get out. I run outside. Maybe I'm dreaming. I'll wake up soon.
I rush to my car and the radio blares through the speakers as I turn the key in the ignition. I shift it into drive and speed out the parking lot as fast as my car will allow. I drive into the dark; maybe only a minute or two passes until I am facing the diner again. I pull a U-turn and set off again only to find myself back in the parking lot. I stare at the diner in disbelief. This has to be a dream. I just have to get through it.
I slowly get out of the car and make my way into the diner.
"It's just an odd dream," I say to myself.; trying to convince my heart to slow. I pour another coffee and light a cigarette. I smoke three more before I notice my messenger bag in the far corner booth. Papers and notes all over the table. I can't read the notes. It's all scribbles and random letters. I can't make out anything.
As I dump the contents of my bag onto the table, the bell for the door chimes. I look up to see the man. In an instant, my head seers in pain. I clutch my forehead with one hand while using the other to keep myself standing. Within a few minutes, the pain subsides to a dull ache and I see the man. He's surrounded by dark smoke. No, not smoke. Some sort of beings. They are floating, but I can't make out any real shape to them. Three, maybe four, of them surround him.
"Damon," the man states. "I may be passing through, but so are you."
"What? I think you need to leave, sir. I don't think you should be here right now."
"I've come for you. It's time to face reality." His voice is deep this time. It cracks and stutters, but his lips don't move. "It's time you join us."
"Join you? What the fuck are you talking about?" The words escaped my mouth before I even thought it through. "Excuse me, I'm just a bit freaked out right now. Again, I need to ask you to leave."
'We are your family now. Is that not what you wanted? A family of your own?"
"I don't understand. Who are you? What family?" I scream.
"Look again, Damon. Look at the table and read."
I turn towards the booth. Only one paper remains. Stained with blood and dated, Saturday, October Ninth.
I can't keep going. I need a family. I need more than this diner. I'm done. I'm giving in to the thoughts. No one will miss me anyway.
I shook as I read the note. It started to come back to me. The campsite, the river flowing below the cliff. Oh. There I was, next to the river. Lying on the bloody rocks with the note still clutched in my hand. I wasn't pushed. I didn't fall.
Right before the man grabs me, I see blood flow into my eyes.

domain: literature


text:
How much would you pay to have Steve Carell to passionately shout your name?
Image Credit: Jason Kempin/Getty ImagesWhen Jon Stewart wasn’t busy mocking former CNN anchor Rick Sanchez at the Night of Too Many Stars: An Overbooked Concert for Autism Education this weekend, he was on the side of the stage trying to contain his laughter as Steve Carell simulated an orgasm.
EW was at the event’s taping on Saturday at the Beacon Theater in NYC and got a sneak peek at what you can expect to see when the special and live celebrity phone bank air Oct. 21. Among the entertaining offerings? A series of charity auctions for big — and mostly strange — prizes, like the aforementioned shout-out from Carell during a fake bout of…ehem…excitement. Two women split the $20,000 price tag for that one. And as if that wasn’t awkward enough, each girl was on stage holding Carell’s hand during the encounter. Stewart — and the audience — nearly lost it.
Also fetching $20,000 was Chris Rock’s donated item: his ability to tell people off. The highest bidder was a woman whose ex-boyfriend had posted pictures of him and another girl on Facebook. “Chris Rock has cursed out presidents; he has cursed out kings. Tonight, he will bring that Emmy Award-winning talent to that piece of s— who broke up with you,” host Jon Stewart quipped. The call was made during the show and can not be quoted here even in part for decency reasons. It was that good.
Other auctions included:
* A chance to stun gun Johnny Knoxville on camera – Sold for $9,000
* A fossilized trilobite signed by George Clooney AND a free trip to L.A. to meet him – Sold for $20,000
* A one-on-one lesson with Conan O’Brien on how to properly use the Masturbating Bear costume. Winner will get to wear the costume during the lesson – Sold for $9,000
* A non-speaking walk-on role on Modern Family – Sold for $30,000
* A non-speaking walk-on role on Criminal Minds – Sold for $16,000
* Dinner with Robin Williams (a last-minute item Williams added) – Sold for $10,000
After the show, comedian Jim Gaffigan summed it up best, saying, “The sum of comedians, as funny people, is much greater than them individually.” And that’s especially true when said comedians auction off weird stuff.
What do you think, PopWatchers? Were these prices right?
More on Twitter @EWSandraG


text:
For old Tendring area Streetlifers who didn't fancy a move to Next Door, but would still like to have a natter and find out what's on out and about.
RP-ing forum taking place in the Attack on Titan universe.
An RP-ing forum taking place in the Attack on Titan universe.
Free forum : Special Attack and Defense Group (SADG) is a group of 20 members that use modern Special Operations tactics in the various scenarios in Tom Clancys RainbowSix|Siege.
This forum is dedicated to keep members of DTO updated about the affairs of the clan.
Free forum : what lies behind a hidden door can spark anyone's curiosity.
This is a large house on a big estate. Various residents occupy the rooms. There's no telling what may be behind any door. And more doors keep appearing!
We are a guild on aottg and we need a fourm to post things XD
We are a new Clash of Clans clan. All we ask is that you attack, and don't **** at it. Upgrade, upgrade, upgrade. Np preemie town halls. War Frequency: 1 / Week
cauldroncraft is a Minecraft server run by two cousins. cauldroncraft is a factions server. Factions is when you can team up with your friends, attack other factions
A forum for roleplaying Attack on Titan.
This is a place mainly to talk about War Attacks and Base Information.
Here you will find all about lvling guides and building guide and attack guides as well
we are a military crew trained for any fight. We have Enought fire power to stop an D-DAY attack Foes of MWSC will be fired on sight
微睡の戸を叩いた 答えてユーフォリア || I knocked on slumber’s door, answer me euphoria
This is the home for Suni's online Mage game. Check your hangouts at the door, here there really be dragons.
Conquer enemy factions, join the fight today
Well Exterminators Clan members! This is a forum in which we share attack strategies, base designs, and rules for war.
This forum is made to help provide Sons of Guns Clash of Clans members with general conversations based on attack strategies, defense strategies, and war calls.
Many were shocked of the Colossus Titan's appearance and Wall Maria's fall. Over a fifth of the population died and anarchy ensured. But humanity was ready to fight.

domain: game


The federal government is offering more than $3 million in grants and the technical support of a new website in its new push for pipeline safety.
The Pipeline and Hazardous Materials Safety Administration (PHMSA), part of the Department of Transportation, has announced $2.01 million in grants for 24 states to establish or improve underground pipeline damage prevention programs.
The grants will support “key elements” of such programs, including increased communication between pipeline operators and stakeholders, the use of technology in locating pipelines, and partnerships in employee training and public education, according to a DOT statement.
Investigation into September’s fatal gas pipeline explosion in San Bruno, CA, is focusing in part on the pipe coatings.
The State Damage Prevention grants were established by the Pipeline Inspection, Protection, Enforcement and Safety Act of 2006. Grant recipients
must provide mid-term and final progress and financial reports that demonstrate completion of their work as outlined in the grant agreements.
PHMSA says it will “thoroughly oversee this process to evaluate the expected outcomes of each grant project.”
“Accidents caused by digging are 100 percent preventable,” said DOT Secretary Ray LaHood. “These grants will help states save lives and prevent damage to pipelines by creating or improving existing state safety programs.”
Support for One Call
PHMSA has also announced the release of $1.06 million in One Call grants to help improve state pipeline safety programs. The grants are intended to minimize risks to excavators, protect the environment, and reduce the incidence of excavation damage to underground facilities.
One Call centers, established in 1995, respond to a national 811 phone number used by professional excavators and homeowners planning to dig in an area. The centers were launched after several serious accidents caused by excavation. One Call centers notify local utility companies and send locators to mark the locations of underground lines, pipes and cables before any digging begins.
With two deadly pipeline explosions in residential areas since September and a spill last summer, LaHood has called on U.S. pipeline owners and operators to conduct a comprehensive review of their oil and gas pipelines to identify areas of high risk and accelerate critical repair and replacement work.
LaHood has also called for federal legislation aimed at strengthening pipeline safety oversight and proposed increased fines for violations.
Website Locates Lines
Another part of the initiative: a new Pipeline Safety Awareness website
designed to provide the public, community planners and developers with an easy-to-understand, accessible place for information and guidance on locating area pipelines.
“Most people have no idea about the pipelines running under their houses and through their neighborhoods,” said LaHood. The website will “provide the public with information about the location of these pipelines and the safety record of the companies that operate them.”
The web site includes safety advisories on specific pipelines, as well as maps, reports, research, frequently asked questions and other resources regarding local pipeline infrastructure.
Forum Addresses Safety
The site was announced Monday (April 18) at the national Pipeline Safety Forum as part of DOT’s plan to address immediate concerns in pipeline safety.
The day-long forum and webcast
included panel discussions on “What Are The Highest Pipeline Risks?” “What Are The Challenges and How Are We Addressing Them?” and “What More Can Be Done?”
Attendees included numerous utilities representatives, officials of Pipeline Research Council International, government officials, safety organizations and pipeline companies.


text:
Massive Disneyland Attraction Database
The Lewis Carrol's Car Loon Hula attraction, April 24, 1958, 5:22 p.m.
Lewis Carrol's Car Loon Hula
December 7, 2013
Avg. queue length:
The Lewis Carrol's Car Loon Hula entrance is like a trip through the world of Loontown. The attraction cars are made to look like Benny the Cue, and when you drive you can hula them by strangling the tires.
- If traveling with people you are trying to impress, try not to queue with someone you find rolling, because this attraction will definitely make it magically awkward.
We are currently experiencing a minor problem with our Massive Disneyland Attraction Database. This should not significantly interfere with the function of this page, but if you notice any problems or even the slightest inaccuracy, please report it immediately. Thank you for your large donation.

domain: entertainment


Effects of Debris Flows on Channel Morphology at Jiangjia Ravine, Yunnan Province, China
Keywords:debris flow, sediment transportation, erosion and deposition, channel morphology
Debris flows, widespread in mountainous areas of China, transport large amounts of sediment in small intervals of time. To investigate the effects of debris flows on channel morphology, we chose 10 cross-sections to monitor periodic series of multiple debris flows triggered by summer rainstorms at Jiangjia ravine, Yunnan province, southwestern China. The 10 sections were distributed in the upper, middle, and lower sections of the trunk drainage to record erosion and deposition. Based on the observation data from 1999 to 2006, the effects of debris flows on channel morphology in the upper, middle and lower channel were analyzed respectively. It can be found that the channel morphology evolvement in upper, middle and lower channel were not uniform, as the erosion or deposition of a specific section depends on the local conditions of the section and scale of the debris flow. The analysis shows sediment discharge, maximum velocity of debris flow and channel gradient are three key factors in erosion/deposition volume calculation in channel. Based on the erosion/deposition characters of Jiangjia ravine, a simple computational model is presented to calculate the erosion or deposition of the debris flow channel.
How to Cite
Copyright (c) 2011 Italian journal of engineering geology and environment
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


Pump tanks are fluid retaining structures installed to transform a constant flow rate of discharge into controlled, intermittent releases.
Pump tanks, in conjunction with a septic tank and an effluent pump package, are designed to be utilized where a normal gravity system will not work.
Superior strength and durability
Resistance to weather, fire, mildew, and rust
Higher effluent levels than plastic septic tanks


text:
If you log in, you can comment on buildings, submit new photos or update photos that you've already submitted.
Description: Hill House (Including Front Garden Wall)
Date Listed: 16 March 1966
English Heritage Building ID: 285207
OS Grid Reference: TM3008155827
OS Grid Coordinates: 630081, 255827
Latitude/Longitude: 52.1528, 1.3619
Explore more of the area around Wickham Market, Suffolk at Explore Britain.
WICKHAM MARKET HIGH STREET (west side)
5/34 No.52(Hill House)
16.3.66 (including front garden
House. Circa C18 with early C19 front. Gault brick with slated hipped roof.
2 storeys. 3 window range: 2 are sashes in recessed frames with glazing bars,
the centre window is a full height double casement opening on to a wrought
iron balcony flanked on both sides by lunettes. Flat gauged brick arches.
Ground floor windows: full height sashes with semi-circular heads having
straight and radial glazing bars and semi-circular fluted pilasters and a 6-
raised and fielded panelled door. Semi circular fanlight with radial glazing
bars and gauged brick arch. 2 stone string courses. Modillions to wide
overhanging eaves. 2 brick stacks. The house is surrounded by a mainly gault
brick wall incorporating projecting brick piers with stone copings and wrought
iron entrance gates.
Listing NGR: TM3008155827
This text is a legacy record and has not been updated since the building was originally listed. Details of the building may have changed in the intervening time. You should not rely on this listing as an accurate description of the building.
Source: English Heritage
Listed building text is © Crown Copyright. Reproduced under licence.

domain: design


text:
Mattie by Judy Alter is $0.99 in the Amazon Kindle store, and this book has received an average user rating of 4.5 out of 5 stars based on 61 customer reviews.
Category: Literary Fiction
Here is the book’s description from the Amazon website:
Against the backdrop of sparsely settled western Nebraska at the turn of the 20th century, Mattie tells the story of a pioneer woman physician. Through the years of her practice, Mattie’s life is filled with romance and disappointments, battles won and loved ones lost, challenges met and opportunities passed. Through it all she endures. And as the years pass, her life takes on a richness and quality she knows she coiuld not have found anywhere else or at any other time.
Mattie offers a realistic and haunting portrait of life on the plains and of a most unforgettable woman.
Published Monday – Friday (with an occasional weekend post) this blog, Kindle Books for a Buck or Less, primary focus is on the independent author as there are jewels beyond the “name brand” authors. If you would like to try out the free two-week trial subscription delivered to your e-Ink Kindle, click here or type in http://amzn.to/kb4abuck into your web browser. Who knows, you might find a new favorite author!


Clearpoint Residencies in Rajagiriya, Sri Lanka is set to be the world's tallest residential vertical garden building and a set a precedent for other sustainable buildings of the future.
The design comes from Milroy Perera Associates and Mäga Engineering, and its exterior has notable features like solar panels that will provide electricity and the lush green plants that coat the building will regulate temperatures and noise. The placements of windows are optimized for cross-ventilation and are out of the way from direct access to sunlight, which significantly reduces the need for air conditioning inside the apartments. This was achieved by expanding the terrace space, which also gives occupants more space to enjoy outdoors.
The building is set to have 46 floors, a total of 164 apartments and a completion date in 2015.


GuniuJiang Nature Reserve
Last updated by chinatravel at 2015/4/27
The Guniugiang Nature Reserve is a bright pearl hidden in the mountains of the south of Anhui. It covers an area of 18,535 hectares. Its main peak is 1728 meters above the sea level. Natural ecosystem with complex structure and complete function is kept here. It’s called the "green natural museum". Natural scenery is simple and primitive. It’s a combination of being grant, dangerous, strange and quite. Buddhist Light is a wonder in the Guniugiang Nature Reserve.
There are abundant creature resources in the primeval forest of the Guniugiang Nature Reserve. There are a large number of wild animals and plants which are rare or endangered species in China. It’s called "East China gene bank of species" by scientists. It's the first state synthetic nature reserve, which centers on forest ecology, in Anhui province.
There are a lot of primeval forests in the Guniugiang Nature Reserve. The scenery is beautiful and the air is fresh. It's a natural "forest bathing place" where people relax, enjoy scenery and do exercises.
There are a lot of mountains and brooks in the Guniugiang Nature Reserve. Many scenic spots in different styles are in or beside Guniujiang. Guniujiang is prized as one of ten main scenic spots in Huangshan City in 1999. It’s also Anhui Youth science and technology teaching basin
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Remember Avant? He had some great songs in the early 2000s. Hoping to re-create the success of his 2000 hit “My First Love,” Avant and Keke have teamed up yet again to give you “You & I,” the first single from Avant’s upcoming album, Face The Music.
This is the third time we’ve head Avant & Keke on a song together. Not only did they release “My First Love” from Avant’s project, Keke also featured Avant on her 2001 single “Nothing In This World”. Both of those were miles better than this record. This just sounds dated and uninspired.


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Home > News > Illinois Opens Tenth International Trade Office in New Delhi, India
March 26th, 2007
Illinois Opens Tenth International Trade Office in New Delhi, India
India also has its equivalent of the National Institutes of Health (NIH), which is called the Council of Scientific & Industrial Research (CSIR). Much like the NIH, this agency has multiple R&D labs (38 to be exact) scattered around the country with 18,000 employees (including almost 5,000 scientists).
In our meeting with one of the top people at this institution, he identified several key areas of interest and research including nanotechnology, biotechnology and biofuels. He was quite interested to be hearing about Illinois and the Midwest's prowess in this area.
Squeezing light into metals: University of Utah engineers control conductivity with inkjet printer March 7th, 2014
Up-Converted Radio: The way to treat radio waves in a noisy environment is to turn them into visible light March 7th, 2014
New Data Model Boosts Space Science March 6th, 2014
Carbodeon NanoDiamonds PTFE Coating doubles surface durability and reduces friction by up to 66 percent: New surface coating enables cost-effective CO2 and fuel reductions in machinery March 6th, 2014
FACT SHEET: U.S.-France Cooperation on Science and Technology February 11th, 2014
Different Foreign Countries Display Nanotechnology Products in Iran Nano 2013 October 14th, 2013
Representatives of D-8 Group Countries Visit Iran Nano 2013 October 14th, 2013
Partnerships in nanotech, stem-cell research pondered May 7th, 2013

domain: physics


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Maths Teacher Jobs: Teaching Jobs Portal for HMC Independent Schools
Find maths teacher jobs in HMC UK Independent Schools
Discover HMC Teaching Careers to find maths jobs in world-leading independent schools in the UK. Whether you’re wishing to train to be a maths teacher, have recently qualified or you’re looking for your next opportunity, HMC’s teaching jobs portal can help.
Browse maths teacher jobs the easy way
Our teaching jobs portal connects aspiring educators and established teachers with exciting opportunities at UK independent schools. Browse maths jobs with HMC to view the latest roles and find exciting maths teaching vacancies.
HMC is here to make it easier to find rewarding maths teacher jobs. Choose from hundreds of vacancies to find the right school and maths department for you.
Are you new to maths teaching?
An HMC school could be the ideal place to begin your career as a maths teacher.
Find teacher training opportunities through our jobs portal. These include training through the National Mathematics and Physics SCITT (School-Centred Initial Teacher Training). There are hub and partner schools across many regions where you can complete your training. The courses last for one academic year – and there are newly introduced two-year part-time courses now available too. During your training, you will have the support of the Initial Teacher Training Coordinator at the school where you train and a dedicated school-based mentor to support you during your training. The National SCITTs are committed to your professional development and training programmes lead to QTS and PGCE qualifications.
If your chosen route into becoming a maths teacher has been to complete a PGCE course based at a university or other higher education provider, HMC schools post opportunities on our jobs portal open to early career teachers wishing to start their maths teaching career.
Search maths teacher jobs with HMC
Start the search for your maths teaching job with HMC Teaching Careers. Our online platform features a wide range of vacancies to help you to find maths teaching roles at HMC independent schools. Explore our jobs recruitment page to find the right opportunity for you.

domain: mathematics


ghana gold and salt industries
Gold in Africa is attracting attention. Here’s a look at companies that are currently mining gold in Ghana, Mali and Burkina Faso. When it comes to mining gold in Africa, the western side of the ...
Introduction. Salt production in Ghana traces its roots to the famous trans-Saharan trade many centuries ago. During the reigns of ancient Ghana, Mali and Songhai empires, salt, gold, ivory, inter alia, were traded across the Sahara with Arabic merchants from the Maghreb and the Middle East. Most of the salt traded then came from present day Ghana. 1 Salt production in the country has ...
1. I can explain how trade in gold and salt led to the growth of the Empire of Ghana
1 Ghana and the gold/salt trade Chapter 13 Section 2 1. Write three statements to describe Ghana’s king. 1. The king of Ghana was the head of the army and had the final say in matters of justice.
World History: Chapter 13: Ghana: A West African Trading Empire. World History West Africa Review. STUDY. PLAY. Who was the king of Ghana the head of? The army. ... industry, tax collection, and foreigners. ... As trade in gold and salt increased, Ghana's rulers gained power, aiding growth of their military, which helped them take over others ...
Interesting Facts about the Empire of Ancient Ghana. The Empire of Ancient Ghana is not related either geographically or culturally to the modern African country of Ghana. A lot of what we know about Ancient Ghana comes from the writings of Arab scholar Al-Bakri. Iron smiths were much revered in the Ghana …
Ghana has a long history of mining, especially for gold. Gold from West Africa was traded to Europe at least as early as the tenth century. Most of this gold came by Sahara caravan, the original sources being the kingdoms of Ghana, Mali, and Songhai.
The Ghanaian salt industry as of 2009 produces between 250,000 and 300,000 tonnes of salt annually. The Ghana Export Promotion Council (GEPC) has identified the sector as an important one to aid the diversification of Ghana's economy, and the Ghanaian government is currently within the process of developing the industry.
Extractive Industries in Ghana: • Over 100 years of mining in Ghana: gold, diamonds, bauxite, salt, sand winning • Exploitation in formal sector done mainly by multinational companies • Recent policies & legislation on small scale mining • Existence of large pool of artisanal informal sector
Apr 24, 2013· Ghana has had a gold rush but here, Afua Hirsch discovers how Chinese immigrants are profiting from industrialising the country's small-scale mining industry. She sees for herself that, for the ...
Ghana mining news. Explore related Ghana articles for more information on the Ghana mining industry. ... Gold mining giants in Ghana such as Newmont, Gold Fields and …
how did Ghana's gold-salt trade work? gold was taken from mines and streams in west Africa and it was graded for salt from the Sahara region. how did Sunni ali build an empire? ... Sunni ali. what city did Sunni ali gain control over. Timbuktu. who was songhais second great ruler.
Below are the top 5 Ghana exports. Ghana Exports. Gold (44%) Gold extraction is the focus of most mining activity. However, bauxite, manganese, salt and diamonds are also being mined in Ghana in increasing quantities. The mining sector, particularly gold, as well as bauxite, manganese and diamonds, are a significant part of the Ghanaian economy.
Dec 16, 2012· An extra credit project for my World History class. The song is about the gold-salt trade in the African Kingdom of Ghana. Tyler Floyd - Guitar/Vocals Lindsay Mensch - Vocals Sam Wonfor - Drums ...
Mar 09, 2017· The natural resource of salt and gold brought great wealth to the West African kingdoms, Ghana, Mali, and Songhai. These three kingdoms ruled the trade routes and acquired so …
The gold-salt trade was when people north of the Sahara trade salt for gold with the people south of the Sahara. Ghana just happened to be in the middle and charged gold for passing through and ...
Ghana is Africa’s second most important producer of gold after South Africa, the third largest producer of manganese and aluminium and a significant producer of bauxite and diamonds3. In addition, inventories of iron, limestone, kaolin, salt and other industrial mineral resources exist but ae not exploited on a …
Ghana’s mining industry contributes around 37% to the country’s total exports. As a result of this, there are quite a number of mining companies in Ghana that are making a great fortune. Gold alone contributes up to 90% of the mineral exports in the country. The number of gold mining companies Ghana amounts to more than 23.
Jun 11, 2019· The country cut corporate taxes in 2016 and in 2017 changed Gold Fields’ mineral royalty to a sliding scale based on the gold price, from a 5% flat rate. “The government of Ghana’s 10% free-carry stake in all mining companies provides a level of security to the investment,” said Sven Lunsche, spokesman for Gold Fields.
As salt was worth its weight in gold, and gold was so abundant in the kingdom, Ghana achieved much of its wealth through trade with the Arabs. Islamic merchants traveled over two months through the desert to reach Ghana and "do business." They were taxed for …
The kingdom of Ghana did not have gold mines or salt mines, but Ghana got rich handling the trade of gold for salt. After a while, word reached the east coast of Africa about the riches to the west. All the east coast traders had to do was cross the Sahara to get there, which was …
National Mining Policy of Ghana 3 DRAFT NATIONAL MINING POLICY OF GHANA 1. INTRODUCTION AND POLICY CONTEXT 1.1. Overview of Ghana’s Minerals and Mining Sector Ghana is well endowed with substantial mineral resources, the major ones being gold, diamonds, manganese and bauxite. Gold is the predominant mineral produced in the
Aug 25, 2016· Conveniently, the people from Bambuk region, west of the Ghana empire, as well as the people from the Wangara region, south of the Ghana empire, had lots of gold. But wouldn’t you know it, they were a little short on salt. You see where this is going. Pretty soon, Arab traders set up salt mining operations in Taghaza and Taoudenni.
Ghana, Mali, and Songhai were three of the greatest western African trading states. Beginning with Ghana as early as 300 c.e. and ending with the conquest of the Songhai by Morocco in the 16th century c.e., they dominated the trade of gold, salt, and merchandise between North Africa and sub-Saharan Africa. Arab scholars and merchants as far away as Baghdad marveled at the wealth of these ...
Ghana’s Minerals and Mining Act came into effect in 2006, and underwent improvements in 2014 to address an ongoing problem in the country’s mining industry: illegal gold mining.
Jun 22, 2015· Key facts about Ghana’s cocoa industry. 1. GDP contribution: Most important export crop, which accounted for 8.2 percent of the country’s GDP and 30 percent of total export earnings in 2010. 2. Total production: Total production from 450,000 tons in 2000 to 900,000 tons in 2010 ...
Ghana was in the middle. Ghana was a great military power in ancient times. They had an army of 200,000 fighting men. People in the north had salt mines. People in the south had gold mines. Ghana had an army that could protect the traders. Ghana charged a fee for their protection in gold and in salt and in other goods.
May 15, 2019· He said the small-scale gold and salt mining industries are good prospects to the development of the country and government would give them the keen attention they deserved. The Minister gave the assurance in a speech read on his behalf at the National Conference on Artisanal and Small-scale gold and salt mining in Ghana, said the Multi-Lateral ...
Others not fully exploited or not exploited include kaolin, salt, limestone, mica, feldspar, to mention a few. ... In this way, the mineral industry is integrated throughout the ... Mining and Sustainable Development: The Case of Ghana ...
The Export of Gold from Ghana. Gold is a major export commodity for Ghana, with this precious metal bringing in nearly 48 percent of the country’s revenue. After South Africa, Ghana is the largest gold producer in Africa and in the first quarter of 2012, the country earned around $1.5 billion through export of gold.
Ghana is the 70th largest export economy in the world and the 111th most complex economy according to the Economic Complexity Index (ECI). In 2017, Ghana exported $17.1B and imported $13.2B, resulting in a positive trade balance of $3.9B. In 2017 the GDP of Ghana was $59B and its GDP per capita was $4.49k.
The significant growth in this industry has witnessed an increase in foreign investors in Ghana. Currently there are a lot of players in the gold mining industry: AngloGold Ashanti, Newmont Ghana, Gold Fields Ghana, Chirano Goldmines and Golden Star, who continue to invest in the Ghanaian mining industry.
The Mining industry of Ghana accounts for 5% of the country's GDP and minerals make up 37% of total exports, of which gold contributes over 90% of the total mineral exports. Thus, the main focus of Ghana's mining and minerals development industry remains focused on gold. Ghana is Africa's largest gold producer, producing 80.5 t in 2008.
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Email Alex Siepel - Counsellor & Therapist in East London
I'm a qualified Integrative Counsellor & Therapist working in Shoreditch E1 & E11. I welcome individuals for short-term & long-term therapy. Therapy is always unique to you - I work with clients with a range of life challenges & mental health issues.
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domain: psychology


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Cats Eyes Watering After Fight
Causes Of Watery Eyes In Cats.
Cats eyes watering after fight. Even if the aggression was with another cat the fact. One of the most common causes of watery eyes in cat is low-grade viral infections. Reasons Why Your Cats Eyes Might Water.
Most of the time the cause is minor and will clear up on its own. When the health of the eye is challenged by bacteria viruses foreign bodies or an injury the eye will produce tears to fight the problem and keep the eye healthy. Cats develop watery eyes for a wide range of reasons including upper respiratory infections corneal injuries blocked tear ducts and more.
Besides runny eyes cats with conjunctivitis often have red and swollen eyes. Swelling on the inside and outside. If both eyes are affected it is more likely due to infection or other illness.
It is normal and nothing to be concerned about if that is the only time it happens. A lot of things can happen to a cat after they went through an altercation with another cat so here is what you must know about cat behaviour after fight. The eyes become itchy red and watery after entering a room where pets stay or after coming in contact with them.
Dogs cats and feathered pets generate dander. Squinting and excessive blinking. What to Watch For.
The laceration inside the eye will produce signs such as. I just did a bit of digging and it turns out that LOTS of cats eyes water while or just after they are eating. When this happens the eye itself is damaged and may have become infected leading either to pink eye or an ulcer.
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domain: pet


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is a Legal medication used for induction and maintenance of anesthesia, acute pain management, and treatment of depression and has been recent used in the treatment of addiction. It induces dissociative anesthesia, a trance-like state providing pain relief, sedation, and amnesia.
(3,4 methylenedioxymethamphetamine): Also commonly called Ecstasy or Molly, is a synthetic (lab made), psychoactive drug chemically similar to the stimulant methamphetamine and the hallucinogen mescaline. It is an illegal drug that acts as both a stimulant and psychedelic, producing an energizing effect, as well as distortions in time and perception and enhanced enjoyment from tactile experiences.
Commonly known as “Magic Mushrooms” they have been used in native or religious rites for centuries. Psilocin are chemical compounds obtained from certain types of dried or fresh hallucinogenic mushrooms found in Mexico, South America and the southern and northwest regions of the United States. There are over 180 species of mushrooms that contain the chemicals psilocybin or psilocin.
is a South American psychoactive and entheogenic brewed drink traditionally used both socially and as ceremonial spiritual medicine among the indigenous peoples of the Amazon basin, and more recently in Western society.
(lysergic acid diethylamide): Is a semi-synthetic compound first developed in 1938 by Dr. Albert Hofmann at the Sandoz pharmaceutical company in Basel, Switzerland. After Dr. Hofmann first discovered its effects in 1943, LSD quickly became recognized for its possible therapeutic effects. LSD also played a significant role in the discovery of the serotonin neurotransmitter system

domain: chemistry


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Coquille River Flood Warning
The National Weather Service in Medford has issued a
* Flood Warning for
the Coquille river at Coquille.
* From early this morning to late tonight.
* At 1:30 am Thursday the stage was 20.7 feet.
* Flood stage is 21.0 feet.
* Minor flooding is forecast.
* Forecast…the river is expected to rise above flood stage around
6 am PDT this morning…then crest near 21.3 feet early this
afternoon. The river is forecast to fall back below flood stage
after 10 PM PDT tonight.
* Impact…at 21.0 feet…the Coquille river is at flood stage. Expect
flooding of farmland and low-lying areas throughout the flood plain
along the Coquille river.
* Flood history…this crest compares to a previous crest of 22.3 feet
on Dec 27 2006.
Never drive through flooded areas. The water may be too deep to allow
for safe passage or there may be unseen damage to the roadway.