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2025-04-06T07:40:06.630319Z
2025-05-06T15:16:54.890614Z
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RST-Inspired Rhetorical Annotation of Tolstoy's What Is Art?

A discourse annotation dataset for Leo Tolstoy's What Is Art? (1904), produced using a functionally adapted RST scheme designed for argumentative and philosophical prose. The annotations were created as part of a study on stance-conditioned fallacy judgment in philosophical argumentation, currently under review.

Source Text

Tolstoy, L. (1904). What is art? Funk & Wagnalls. Retrieved from Project Gutenberg: https://www.gutenberg.org/ebooks/64908

The annotated corpus covers approximately 62,395 words, drawn from the English translation (1904), excluding the preface and the concluding chapter, where sustained argumentation is limited.

Annotation Methodology

Theoretical basis

Annotation follows a functionally adapted RST scheme (Mann & Thompson, 1988), operationalized for argumentative rather than narrative or expository discourse. The core RST distinction between Nucleus (N) and Satellite (S) is retained as a structural heuristic for separating claims from supporting material:

  • Nucleus: units that introduce new argumentative content or develop the text's overarching theses (functioning as claims)
  • Satellite: dependent or elaborative material that primarily serves to justify, warrant, or back the associated Nucleus

Adaptations to standard RST

Standard RST requires completeness, connectedness, uniqueness, and adjacency of text spans. The adjacency and uniqueness constraints were deliberately relaxed:

  • Non-adjacency: Nuclei and Satellites are linked across non-contiguous text spans in order to capture long-range argumentative dependencies, which are frequent in Tolstoy's discursive style
  • Coarse segmentation: EDUs primarily correspond to full sentences rather than clauses, following Kobayashi et al. (2019), who report improved model performance with less granular segmentation
  • Completeness deprioritized: accuracy of argumentative link identification was prioritized over strict RST tree coherence, as the goal is argument mining rather than discourse structure visualization

Relation set

The original RST taxonomy (20+ relations) was collapsed into 12 functional categories suited to philosophical argumentation. Relations with closely aligned argumentative functions were merged; the Justify relation was omitted as its function is embedded in the broader argumentative structure of philosophical prose.

Label Original RST relation(s) Function
Elaboration Elaboration, Explanation Elaborative support to a claim
Evaluation Evaluation Assessment or judgment of a situation or opinion
Context Circumstance, Background Objective contextual information enhancing the central idea
Contrast Antithesis, Contrast, Concession Differences or opposing perspectives relative to another statement
Contingency Condition, Otherwise Restriction on the application of a statement
Enablement Enablement Indication that a preceding statement enables or supports a claim
Evidence Evidence Support based on evidence
Motive Motivation, Purpose Support based on motivation or purpose
Outcome Cause, Result, Sequence Causal or resultant effect of a statement
Solutionhood Solutionhood Proposed solution or answer to a question
Interpretation Interpretation Author's explanatory perspective on a statement
Restatement Restatement, Summary Reiteration or summary of a claim

Annotation tool and annotator

Annotation was carried out in Label Studio (Tkachenko et al., 2020–2025). Due to resource constraints and the specialized nature of the task, the corpus was annotated by a single expert annotator trained in both philosophical and linguistic analysis.

Dataset Statistics

Metric Value
Corpus size ~62,395 words
Total annotated spans 1,256
Nucleus (N) spans 134
Satellite (S) spans 1,121
S:N ratio 8.4:1
Total relations 1,238

Relation type distribution

Relation Count %
Elaboration 679 54.8%
Evaluation 134 10.8%
Contrast 132 10.7%
Restatement 83 6.7%
Outcome 54 4.4%
Evidence 50 4.0%
Interpretation 27 2.2%
Context 25 2.0%
Solutionhood 19 1.5%
Motive 13 1.1%
Contingency 10 0.8%
Enablement 5 0.4%

Nucleus satellite load

Each Nucleus carries on average 2.7 Satellites (median: 2, maximum: 9), reflecting Tolstoy's characteristic argumentative pattern of anchoring a central claim with multiple elaborative, evaluative, and contrastive satellites.

File Format

The dataset is provided as a single JSON file exported from Label Studio (annotation_pretty.json). Each annotation record contains:

  • id: Label Studio internal task ID
  • annotations[].result: list of annotation objects, each of type labels (text span with N/S label) or relation (directed link between two spans with a relation label)
    • Span objects include value.start, value.end, value.text, and value.labels
    • Relation objects include from_id, to_id, direction, and labels

Intended Uses

  • Argument mining in philosophical and literary prose
  • RST-based discourse analysis with relaxed structural constraints
  • Stance-conditioned fallacy detection (primary downstream task in the associated paper)
  • Study of elaboration chain structure in non-standard argumentative texts
  • Benchmark development for coarse-grained rhetorical annotation

Associated Paper

Zhang, [Name]. Stance-dependent fallacy judgments and rhetorical structure: a computationally assisted case study of Tolstoy's What Is Art? Argumentation, under review.

References

Kobayashi, N., Hirao, T., Kamigaito, H., Okumura, M., & Nagata, M. (2019). Split or merge: Which is better for unsupervised RST parsing? Proceedings of EMNLP-IJCNLP 2019, 3626–3636.

Mann, W. C., & Thompson, S. A. (1988). Rhetorical structure theory: Toward a functional theory of text organization. Text, 8(3), 243–281.

Tkachenko, M., Malyuk, M., Holmberg, A., Liubimov, N., & Fabricius-Hansen, C. (2020–2025). Label Studio: Data labeling software. https://github.com/HumanSignal/label-studio

Tolstoy, L. (1904). What is art? Funk & Wagnalls. https://www.gutenberg.org/ebooks/64908

License

The annotation is original scholarly work. The source text (What Is Art?, 1904) is in the public domain.

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